RECENT WORK

PAPER CONSERVATION AND RESTORATION.

BESPOKE ALKALINE PASSE-PARTOUT AND CONSERVATION MOUNT.

『江戸名所百人美女・上野東叡山』

“One hundred beautiful women from the most famous places in Edo – Ueno Toueizan”,

三代歌川豊國 Toyokuni Utagawa III (1786-1865), 安政5年 Year V of Ansei Period (1858);

『二十四好今様美人・道具好』

“Twenty four favourite pastimes of contemporary beautiful women

– musical instruments”, 三代歌川豊國 Toyokuni Utagawa III (1786-1865),

文久3年 Year III of Bunkyu Period (1863).

Dimensions: 245x730mm. Private collection, Florence, Italy.

After treatment I of II. Time for treatment: 10 hours.

版画修復と美術保存台紙制作・修復後1/2。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

PAPER CONSERVATION AND RESTORATION.

BESPOKE ALKALINE PASSE-PARTOUT AND CONSERVATION MOUNT.

『江戸名所百人美女・上野東叡山』

“One hundred beautiful women from the most famous places in Edo – Ueno Toueizan”,

三代歌川豊國 Toyokuni Utagawa III (1786-1865), 安政5年 Year V of Ansei Period (1858);

『二十四好今様美人・道具好』

“Twenty four favourite pastimes of contemporary beautiful women

– musical instruments”, 三代歌川豊國 Toyokuni Utagawa III (1786-1865),

文久3年 Year III of Bunkyu Period (1863).

Dimensions: 245x730mm. Private collection, Florence, Italy.

Process.

版画修復と美術保存台紙制作・作業工程。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

PAPER CONSERVATION AND RESTORATION.

BESPOKE ALKALINE PASSE-PARTOUT AND CONSERVATION MOUNT.

『江戸名所百人美女・上野東叡山』

“One hundred beautiful women from the most famous places in Edo – Ueno Toueizan”,

三代歌川豊國 Toyokuni Utagawa III (1786-1865), 安政5年 Year V of Ansei Period (1858);

『二十四好今様美人・道具好』

“Twenty four favourite pastimes of contemporary beautiful women

– musical instruments”, 三代歌川豊國 Toyokuni Utagawa III (1786-1865),

文久3年 Year III of Bunkyu Period (1863).

Dimensions: 245x730mm. Private collection, Florence, Italy.

Before treatment.

版画修復と美術保存台紙制作・修復前。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

After treatment II of II. Time for treatment: 100 hours.

書籍修復とタイトル金箔押し・修復後2/2。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

After treatment I of II. Time for treatment: 100 hours.

書籍修復とタイトル金箔押し・修復後1/2。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

Process V of V.

書籍修復とタイトル金箔押し・作業工程5/5。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

Process IV of V.

書籍修復とタイトル金箔押し・作業工程4/5。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

Process III of V.

書籍修復とタイトル金箔押し・作業工程3/5。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

Process II of V.

書籍修復とタイトル金箔押し・作業工程2/5。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/

RECENT WORK

BOOK CONSERVATION AND RESTORATION.

GOLD FOIL LETTERING AND BLIND TOOLING.

“CIRVGIA VNIVERSALE” by Giovanni Andrea della Croce (1509-1575),

published and printed by Giordano Ziletti (1536-1583) and Francesco Ziletti (1568-1587),

Venice, Italy, 1583. Dimensions: 225x305x68mm. Private collection, Florence, Italy.

Process I of V.

書籍修復とタイトル金箔押し・作業工程1/5。

©ATELIERGK FIRENZE

https://ateliergk.wordpress.com/collection/

https://www.instagram.com/ateliergk_firenze/

https://www.facebook.com/ateliergkfirenze/